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| photo courtesy of collider.com |
Alden Ehrenreich makes
his big-screen debut as Han Solo in Solo:
A Star Wars Story. Solo—the
second in the Star Wars Anthology
series—tells the story of a much younger Han Solo, before he meets the likes of
Luke Skywalker and Princess Leia and becomes a hero of the Rebellion. As a
fledgling scoundrel, Solo makes his way from the grimy streets of Corellia to
the big leagues of galactic gangster syndicates—a world that’s far more
ruthless than he’s prepared for.
Solo
features some fan-favorite characters like Han Solo, Chewbacca (Joonas
Suotamo), and Lando Calrissian (Donald Glover), but it also introduces a new
gang of friendly criminals. There’s Tobias Beckett (Woody Harrelson), the
leader of the crew, his wife Val (Thandie Newton), a droid named L3-37 (Phoebe
Waller-Bridge), and an alien named Rio (Jon Favreau). Paul Bettany plays the
merciless gangster Dryden Vos, and Emilia Clarke plays Qi’ra, a friend who grew
up alongside Han on Corellia. Also joining the action is a mysterious space
pirate called Enfys Nest.
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| photo courtesy of foxnews.com |
Fan expectations play a
role in any new Star Wars release, so
it’s probably for the best if we establish something right off the bat: Solo is its own thing. Sure, it’s set
within the Star Wars universe, but as
an Anthology film, it has some
license to explore new themes, new tones, new worlds. Solo is a bit lighter on its feet than, say, the recent episodic
installments, much closer to a “space western” or a “space heist flick” than a
space opera. Taken on its own terms, then—and with measured expectations—Solo is a competent, serviceable, and
occasionally adventuresome little romp.
The trouble is that the
movie just doesn’t have many new ideas. From a story standpoint, there’s not
much about Solo that’s original; most
of the plot beats, character moments, and chase scenes are recycled from other
sources. To compensate, the movie doubles down on fan service. There’s nothing
overtly wrong with fan service, of course, but it quickly becomes apparent that
the filmmakers are far more comfortable referencing the memorable moments we
already know than creating some of their own. It’s a fairly typical prequel
problem to try to answer, explain, or otherwise embellish every open subject
that the original movie left ambiguous (Boba Fett in Attack of the Clones? But of course!), but doing so rarely makes
either the prequel or the original more interesting.
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| photo courtesy of huffingtonpost.com |
And while Solo is certainly a different animal
than the episodic installments, it doesn’t seem to be entirely sure what it is. There are occasionally hints of a
brand of comedy very different from what we typically see in Star Wars (likely the influence of Phil
Lord and Chris Miller, the original directors who were replaced with Ron Howard
halfway through production), but Solo
doesn’t commit to them. Instead, it’s tonally (and also somewhat thematically) confused,
without a unifying creative voice or vision… which is a shame, especially since
Lord and Miller’s unique style might just have been the missing ingredient needed
to really set Solo apart.
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| photo courtesy of cnet.com |
FINAL VERDICT: One of
Lucasfilm’s weaker entries into the canon, Solo:
A Star Wars Story still makes for an agreeable and mildly entertaining galactic
adventure.
TRAILER





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