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| photo courtesy of teaser-trailer.com |
Amy Schumer embarks on a comedic
experiment in I Feel Pretty. The
movie follows Rennee Barrett (Schumer), who runs the website for Lily Le
Claire, a major cosmetics brand. Barrett struggles with insecurities about her
appearance… until an injury to the head makes her believe she’s drop-dead
gorgeous. Brimming with newfound confidence, she takes bold new steps in romance,
friendships, and her career.
I Feel Pretty is a perplexing creative
misfire. Abby Kohn and Marc Silverstein, the movie’s writers and directors,
want to tell a funny story with a heartwarming, affirming, self-empowering
message, but they don’t seem to believe in their own product. Without a strong
rudder, I Feel Pretty flounders from
the opening moments.
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| photo courtesy of foxnews.com |
At its best, the movie represents a
shift for Schumer—a changing comedic voice from a comedian embracing a more
authentic, personal approach. I Feel
Pretty isn’t just a vehicle for Schumer to be silly, raunchy, or physically
dynamic (though it does give her a chance to do those things), it’s a chance
for her to tap into a wider emotional range. Her performance, alongside
Michelle Williams, Aidy Bryant, and Rory Scovel, lends the movie a crucial
degree of humanity, without which the movie’s several genuinely touching scenes
might easily be hindered.
But Schumer’s good intentions only go
so far. There are some problems on a technical level, as when a perfectly good opening
scene at SoulCycle—which is later the site of her injury—gets spoiled through noncommittal
directing. Beyond that, there are foundational creative choices that stifle the
movie’s emotional potential, such as the choice to have Barrett’s epiphany come
as the result of a literal blow to the head, or the choice to have Barrett’s new
self-assurance be in tension with reality (despite her ardent protestations, Barrett’s
body is the same as before the injury). The intention may be to convey the idea
that self-empowerment comes from within, but if so, I Feel Pretty undercuts that message by having its protagonist rely
on false and/or coincidental impressions of herself.
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| photo courtesy of bostonherald.com |
What’s more, the filmmakers underscore
this central dichotomy at every chance. They frequently play Schumer's ostentatious attitude for laughs, as in one scene where she participates in a bikini contest. And for the majority of the movie’s
runtime, the supporting cast regularly emphasizes her looks, pointing out how her confidence is unwarranted (with the notable exception of Rory Scovel's Ethan). Then, when the movie wants to do an about-face and proclaim the good news of self-positive thinking, the moral feels at odds with the rest of Barrett's experience. One wonders if the movie’s
well-intentioned message wouldn’t have been better delivered through another
premise less laden with inadvertent irony—and, ideally, a premise with a bit more
subtlety, too.
Watch the trailer here.
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| photo courtesy of hollywoodreporter.com |




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