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| photo courtesy of spoilertv.com |
Killing Eve is
one of the most stylish, most sensational TV shows released this year. Adapted
from Luke Jennings’s Codename Villanelle
series, Killing Eve was produced for
television by writer/actress Phoebe Waller-Bridge and stars Sandra Oh and Jodie
Comer. Oh plays Eve, an MI6 agent who crosses paths with a lethal, psychopathic
assassin named Villanelle (Comer). As Eve learns more about her enemy, the two
develop a competitive, obsessive, and potentially murderous relationship.
On paper, Killing Eve has a lot in common with spy
thrillers we’ve seen a million times over. We’ve become accustomed to sleek
spycraft, intricate narratives, and shifting allegiances. We’ve also seen this
character dynamic before: the protagonist and antagonist develop a twisted
admiration for one another. So what makes Killing
Eve any different?
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| photo courtesy of variety.com |
Killing Eve’s
first and most conspicuous advantage is the quality of its writing, which demonstrates
its wonderful breadth within the first few minutes. The writing team, led by
Waller-Bridge, give the show a razor-sharp edge. Dialogue is consistently smart,
funny, and naturalistic. When the show lands a character beat—even a fairly rote
one—it finds clever ways to communicate all the necessary information and
feeling without belaboring the point. There’s even some honest-to-goodness
subtext!
From a structural standpoint,
the show benefits from a tightly paced, thoughtfully developed narrative. It
never drags and it rarely feels rushed. The latter half of the season isn’t quite as strong as the middle, where the
two women have their first series of encounters, but the narrative is confident
and worthwhile throughout. That Killing
Eve can manage this is impressive, especially when so many shows—even highly
promising shows—end up either draping a thin plot over too many episodes (like most
of those Marvel Netflix shows) or writing themselves into a hole halfway
through the series (like LOST).
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| photo courtesy of amc.com |
It’s not an
overstatement to say that the entire cast is exceptional. Fiona Shaw and Kim
Bodnia, who play some of the more substantial parts, deserve particular notice.
But the spotlight, of course, rests on Sandra Oh and Jodie Comer in the lead
roles. As the main (sympathetic) character, Sandra Oh’s Eve is the center of
the show. Quirky, tenacious, paradoxical, and genuinely exhausted, Oh’s Eve is
someone you can root for. She’s outshined, however, by Jodie Comer’s
Villanelle. Comer brings an astonishing and unpredictable energy to the
performance. She’s manic like Andrew Scott’s Moriarty, sexy like Gina Torres’s
Anna Espinosa, chilling like Kathy Bates’s Annie Wilkes. At the end of the day,
these performances are the product of a total creative alignment—writers,
actors, and directors who have spent the time to fully imagine (and then fully
realize) the characters.
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| photo courtesy of digitalspy.com |
There are a host of
other things I could keep going on about (the great music, the action, the
ultra-stealthy sleuth stuff, etc), but for brevity’s sake, I’ll conclude with a
word about Killing Eve’s women. Despite
the show’s adoption of a typically male-dominated genre, Killing Eve has women in its very DNA. This is a world populated by
women. And they’re not arbitrary, placeholder women. They’re real women. Women
who are imagined and drawn like actual human beings: capable, funny, determined,
occasionally deadly, impulsive, deeply flawed. There’s a lived-in quality to
these characters; their experiences feel authentic and worth talking about. It
is perhaps this ability—the ability to be purposeful and perceptive about depicting
a range women’s experiences while working within this genre—that most contributes to Killing Eve’s extraordinary novelty.
You can watch Killing Eve on BBC America's website or app for a limited time, but you'll have to sign in with your cable provider. It's scheduled to debut on Hulu later this year.
You can watch Killing Eve on BBC America's website or app for a limited time, but you'll have to sign in with your cable provider. It's scheduled to debut on Hulu later this year.
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| photo courtesy of nytimes.com |





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