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| photo courtesy of dailyedge.ie |
SPOILER-FREE REVIEW
Greta Gerwig, an accomplished actress,
screenwriter, and director, makes a confident solo directorial debut with Lady Bird. The movie follows Christine
McPherson (Saoirse Ronan), who ardently insists on being called “Lady Bird.”
Together with her best friend Julie (Beanie Feldstein), Lady Bird tries to
negotiate the tensions of being a teenage woman in early-2000’s Sacramento, taking
her first steps into romance, coping with the desire to escape her small-town
surroundings, and learning to relate to her parents. Lady Bird may not be everyone’s style, but I would be remiss if I
didn’t add my voice to (literally) everyone else’s: Lady Bird is a short, sweet, understated triumph.
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| photo courtesy of indiewire.com |
What’s most striking about Lady Bird is the sense of authenticity
that permeates the movie. It reads like a person’s real experience, recounted honestly
and in full, populated with characters and events that resonate with reality in
charming and often surprising ways. This is a world where people shop at
Goodwill, where parents fall asleep in their chairs while their kids are up to
no good, where teenagers’ insecurities come up to the surface in awkward and
recognizable ways.
Lady Bird herself, brought to life by the
immensely talented Saoirse Ronan, is one of the most refreshingly interesting
characters I’ve seen in a while. She’s simultaneously rebellious and nostalgic,
in one breath arguing contentiously with her mother, in the next bonding with
her over a sappy book-on-tape. Her contradictions—which, in another character,
might come off as disingenuous—are instead disarmingly frank.
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| photo courtesy of variety.com |
Laurie Metcalf plays Lady Bird’s mom,
and their relationship fuels much of the movie’s emotional core. There’s both
warmhearted humor and profound sadness in the way their mother-daughter
relationship works itself out, each of them loving the other so dearly but feeling
unable to approach her. Many of the movie’s other relational dynamics
(including the bond between Lady Bird and her troubled father) orbit around
this central one.
Greta Gerwig’s screenplay makes all the
difference in distinguishing Lady Bird
as a fresh take on the (otherwise cliché) teenage coming-of-age story. She
writes fantastic dialogue, which is responsible for the movie’s sharp wit, quirky
sense of humor, and compelling characterizations. And Gerwig seems almost
disinterested in plot; rather than focusing on getting somewhere else, Lady Bird lets its characters sit where
they are, getting to know them by their everyday actions and reactions. Those
moments—when Lady Bird forgives someone, speaks her mind in front of someone, allows someone to help her, plays a
prank on someone—are what gives Lady Bird
its pure cinematic brilliance.
Watch the trailer here.
Watch the trailer here.
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| photo courtesy of vox.com |




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