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| photo courtesy of comingsoon.net |
SPOILER-FREE REVIEW
Everyone’s favorite
face-hugging aliens return to the big screen this summer in Alien: Covenant. Covenant is the sixth film in the Alien franchise and the sequel to the divisive prequel, Prometheus. The whole exercise is an
attempt to get back to the roots of the franchise after Prometheus steered the ship away from unexplained, raw horror into
a more cerebral exploration of religious and mythical themes. Covenant tries to strike a balance between
these two extremes, but it ends up missing the mark.
The story centers around
the crew of the Covenant, a ship designed to carry colonists to a future home-world.
A stray transmission brings Dany Branson (Katherine Waterston), android Walter
(Michael Fassbender) and the rest of the crew to a promising, earthlike planet.
You know the rest, right? Things are not quite as they seem, and in time the
crew comes to realize that the planet holds secrets centuries in the making…and
unspeakable horrors waiting to be unleashed.
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| photo courtesy of avpgalaxy.net |
Alien: Covenant benefits from having the experienced hand of
Ridley Scott in the director’s chair. He proves masterful in his engineering of
the storytelling, the pacing, and that unsettling feeling that makes audiences
go wild. In terms of style, atmosphere, and visual cohesion, Covenant is a work of art.
Thematically, the film
acts as an extension of Prometheus,
meditating on the same issues and continuing the same discussion. Even if the
filmmakers seem scared to admit this film’s relationship with Prometheus in public, Covenant is strongest when it owns up to
its heritage. There’s a sense that Scott has something more to say about the
ponderous questions he raised in 2012—and Covenant
speaks to all of them: the survival of religion in the face of science, the
impact of loss, the responsibility of creation, the meaning of existence
itself.
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| photo courtesy of avpgalaxy.net |
When the film delves
into straightforward Alien territory,
it veers too close to been there, done that. The formula of the Alien movies is now so overdone that the
only innovation filmmakers bring to the table is how the alien invades its
host. Everything else is the same: the typical horror-genre stupidity of
central characters, the “don’t-go-in-there” boarding of a mysterious ship, the
subsequent body horror. There’s not much suspense involved.
Covenant packs in a few thrills, to be sure, but for the most part it’s
devoid of genuine fright. All the notable moments starring the actual alien are
in the trailer—and they’re not that
scary to begin with. Even though the classic alien finally makes its
reappearance, it’s the variant, unfamiliar aliens who steal the show, mostly
because audiences have never seen them before.
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| photo courtesy of slashfilm.com |
The scariest and most
interesting scenes are those that come closest to the Prometheus mythos. Michael Fassbender plays two androids in this
film (and sort of reprises his role as Magneto from the X-Men franchise), and
their interactions are by far the most fascinating parts of the film—due in part
to Fassbender’s remarkable performance. The androids provide all the mystery,
the disturbing sexuality, and the sickening surprise that audiences expect from
the Alien franchise.
As a sequel to the
inventive yet troubled Prometheus, Covenant proves that the prequel trilogy
has new places to go and new territory to discover. As an Alien film, it demonstrates that the titular aliens may be out of
steam. Either way, you can be sure there’ll be another one (or two) in a few
years.
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| photo courtesy of aintitcool.com |





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