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| photo courtesy of foxmovies.com |
LIGHT SPOILERS
Love, Simon is the cinematic adaptation of
Becky Albertalli’s book, Simon vs. the
Homo Sapiens Agenda. The last two years have seen Hollywood take strides in
diversifying its lineup, so it’s not surprising that Love, Simon, which is the first major movie by a major studio to
explicitly focus on a gay romance, is grabbing headlines. Equal parts high
school dramedy, coming-of-age-story, and coming-out story, it’s being acknowledged
as an important moment for representation. But even apart from its significance
as a cultural landmark, Love, Simon
deserves the attention; charming, funny, and heartwarming, it puts a welcome
spin on teenage drama.
Love, Simon tells the story of Simon Spier
(Nick Robinson), who’s navigating all the normal stresses of high school life—with
the added pressure of being the only person who knows he’s gay. Things are
going okay for a while: Simon has a supportive family (Jennifer Garner, Josh
Duhamel), hangs out with a close group of friends (Katherine Langford, Alexandra
Shipp, Jorge Lendeborg Jr.), and connects with another closeted gay teenager at
his school via an anonymous email account. But things take a change for the worse
when the school’s resident misfit (Logan Miller) discovers the emails and
threatens to expose Simon’s secret to the world.
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| photo courtesy of npr.com |
In some respects, Love, Simon is pretty unremarkable. Ever since director John Hughes
(The Breakfast Club, Pretty in Pink, Sixteen Candles) set the tone for teen drama films back in the 80s,
there’s a certain amount of cliché that usually accompanies any teen-focused
movie: you’ve got the overexaggerated cliques, everyone’s way cooler than anyone
actually is in high school, the teachers and administrators are wacky,
overinvolved weirdos, etc. And while Love,
Simon isn’t particularly preoccupied with any of those formulaic pieces, it
certainly doesn’t shy away from them, either.
Yet despite those similarities, Love, Simon feels refreshingly different.
It’s partly due, of course, to the fact that the movie operates from the
perspective of a gay teenager, so that even when the movie recycles plot points
or exhibits the teen movie genre’s worst tendencies, it presents them through a
new and unique lens. It’s also due, however, to the fact that Love, Simon is just a solid teen movie,
period—something that hasn’t been seen for a while in Hollywood. With strong performances,
funny dialogue, a sleek soundtrack, and a decent grasp of contemporary teen
culture, it’s in a position to become a new high school classic.
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| photo courtesy of variety.com |
And most importantly, Love, Simon has a heart. Unlike a good
many teen movies that come and go, Love,
Simon appreciates and depicts the emotional complexity of its main character
and the challenges in front of him. It’s an unexpectedly poignant movie in
places, as when Simon opens up to his parents or when he shuts out the people
closest to him. The success of those scenes stems both from the actors (Nick
Robinson and Jennifer Garner give great performances) and honest, emotionally
resonant dialogue. They also work because Simon is a real, flawed character.
His coming out is inevitably complicated, but it’s complicated partly because
of decisions and mistakes he made along the way. Just like everyone else, he’s
capable of making selfish choices, and just like everyone else, he sometimes
can’t see beyond himself. Those flaws help the audience root for him, instead
of just observe him pityingly from a distance. His character arc might not be
the most unpredictable of all time, but it keeps Love, Simon anchored and human in crucial moments.
FINAL VERDICT: Sharp dialogue, a splash
of humor, and a candid, meaningful story help elevate Love, Simon above your run-of-the-mill high school drama.
Watch the trailer here.
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| photo courtesy of slashfilm.com |




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